May 14, 2020
Michele Bressan, Lea Rasovszky, and Larisa Sitar in the exhibition "Bruiaj" at the Art Encounters Foundation in Timișoara.
— Maria Orosan-Telea
May 6, 2020
This imperfect present that we all experience demonstrates that human adaptability in extreme conditions contributes to a reinvention and a progress that is not hindered by our perishable condition.
— Ada Muntean
April 22, 2020
…and why don’t we take them when we are awake?
— Raluca Țurcanașu
April 14, 2020
What is most significant for Andreea and Mălina is the unique moment when forms of both past and present overlap and generate a map of common experiences which have gone unnoticed.
— Anca Mihuleț
April 1, 2020
In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.
— Marina Paladi
March 25, 2020
On an infinitely smaller scale, history was repeating itself.
— Ioana Terheș
March 2, 2020
A critical view on the exhibition Alzheimer and working with memory.
— Ștefan Simion
February 18, 2020
A curatorial discourse that challenges the way in which the history of postwar Romanian art is written and perceived with already established notions.
— Simona Vilău
February 5, 2020
ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.
— Raluca Oancea
February 3, 2020
Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.
— Denise Parizek