January 14, 2020
How does one go about performing an earthquake?
— Marina Oprea
December 27, 2019
"Heavyweight" is not only an extraordinarily complex structure that generates countless associations, it also inspires action.
— Teodor Ajder
December 16, 2019
The art of new sincerity is not an object, but an encounter, a coming together of many minds and visions that is not limited to only one reading, as we see in the case of the performance piece Tun.el
— Marina Oprea
December 9, 2019
The most recent exhibition showcased at Salonul de Proiecte, designed by Mircea Nicolae, reiterates an institutional and methodological critique through its title, The Absent Museum
— Raluca Oancea
November 24, 2019
The starting point of the "Spring (winter, summer, autumn) of the people" exhibition is a major display of historical painting – fragments from the Transylvanian Panorama, less known in Romania
— Teodor Ajder
November 19, 2019
The Paintbrush Factory under gentrification: a time of reinvention through fostering new collaborations?
— Raluca Țurcanașu
November 13, 2019
The tribune becomes at once a place for action and passive contemplation
— Marina Oprea
November 11, 2019
Some personal impressions about Beatrice Loft Schulz' exhibition, hosted by ElectroPutere Gallery, Craiova.
— Tea Vindt
November 5, 2019
Who is afraid of the neo-avant-garde? Trauma and healing in "Lay me down across the lines".
— Andrea Lieber
October 22, 2019
Review of the Art Encounters Biennale 2019. Can we rethink our own limit in giving too much importance to the display of a biennale?
— Krisztián Török