October 31, 2018
A compact art exhibition that requires no space, no set-up and no gallery custodians, which can be easily moved from place to place.
— Marina Oprea
June 22, 2018
Franz Cerami wishes to mix and merge the narratives rooted in intimate life, while also examining the metamorphosis of meaning from the private to the digital space.
— Alexandra Cozma
June 8, 2018
From Benjamin to Deleuze and next year to Agamben: the Venice Biennial and its political positioning.
— Cristian Iftode
June 3, 2018
The extra mile is the new exhibition of Galeria Nicodim, although in this case the works of Cristian Răduţă do not follow the formal logic of the ex-position.
— Emilian Mărgărit
June 3, 2018
Pre ‘89 Eastern Europe, as hard as it is to speak about it as an entity, concedes freaky, unwilling-to-behave political and apolitical artistic expressions in the show Left Performance Histories.
— Jasmina Al-Qaisi
May 15, 2018
Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.
— Àngels Miralda
March 19, 2018
Starting February 24th, the entrance to the contemporary art space Tranzit.ro/Iaşi is lit from the inside.
— Ovidiu Gherasim-Proca
February 20, 2018
Places where Katja Lee Eliad's work becomes fragile.
— Ionuț Cioană
December 6, 2017
The exhibition at Victoria Art Center seeks to transforme the Danube area into a deterritorialized (but by no means depoliticized) field of experience and reflection.
— Cristian Iftode
November 25, 2017
Nona Inescu’s solo show at EXILE gallery in Berlin is not her first attempt at communing with the inhuman.
— Rareș Grozea