Stylistically, as well as through his narrative structures, Ghenie wins a bourgeois western audience by offering an illusory therapy for its post-modern neurosis.

Adrian Bojenoiu talks to Iulia Nistor about the possible functions of painting and the median space between representation and knowledge.

"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events

Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?

Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.

Rising from the post-industrial aesthetic of Bucharest and reaching beyond the post-communist artistic expressions, Suprainfinit gallery makes its entry as one of the new cool kids in town.

H.arta Group makes an inside analysis on the complex event Art Encounters.

Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.

The title of the current exhibition by Larisa Crunţeanu and Sonja Hornung suggests an underlying feminist counter-narrative, a pseudo sci-fi speculative invention perhaps.

A retrospective of one of the foremost representatives of the 80s painters generation, Petru Lucaci, is on show at the Constanța Museum of Art.