Anton Roland Laub’s recent show at Atelier 35 makes a blurred statement about the architectural absurdities and similarities between the two capital cities Berlin and Bucharest.

When a show about the historical Romanian avant-garde becomes a public scandal - for all the wrong reasons.

Adrian Preda at H’art Appendix.

Ana Maria Micu’s latest project is the route of a mature artist, capable of successfully working with various media and of studying the mechanisms of visual images.

Part of a series of events celebrating 25 years since the fall of the wall, The Forgotten Pioneer Movemen strikes a different chord, if nothing else, because it works with the notion of 'psychodrama'.

The show at the Center for Visual Arts by renowned artist Philippe Ramette is a surprise for the Bucharest art scene because it has an accuracy that could be considered “too much”, “too aesthetic”.

Mihai Nuțu at Atelier Patru in Cluj.

Ștefan Radu Crețu’s art is meant to approach the artistic object and experimentation on the living element. It has no smell, it is only equipped with ON/OFF buttons.

If you were to make art you would have to pretend you are not referencing Duchamp while you are in fact referencing the fact that you are not referencing Duchamp.

Questions for Mica Gherghescu, art historian based in Paris.